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<channel>
	<title>ryan benjamin lee</title>
	<link>https://ryanbenlee.com</link>
	<description>ryan benjamin lee</description>
	<pubDate>Mon, 18 Sep 2023 11:37:38 +0000</pubDate>
	<generator>https://ryanbenlee.com</generator>
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		<title>CV</title>
				
		<link>https://ryanbenlee.com/CV</link>

		<pubDate>Thu, 14 Sep 2023 04:40:36 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/CV</guid>

		<description>
	&#60;img width="857" height="857" width_o="857" height_o="857" data-src="https://freight.cargo.site/t/original/i/9a8e8f2f24d61c3a5ff5d46988b8bd944d78668f4329f577b920833f4887d531/Headshot.jpg" data-mid="221871871" border="0"  src="https://freight.cargo.site/w/857/i/9a8e8f2f24d61c3a5ff5d46988b8bd944d78668f4329f577b920833f4887d531/Headshot.jpg" /&#62;Ryan Benjamin Lee (b.1997)is an artist-animator from Singapore. His works playfully balance between spectacle and demystification, propaganda and cynicism. His iconoclastic use of printed material, particularly found images, photographs and books, are intertwined with drawn animation and reimagined as an abstract world refracting in multiple directions.











Awards
2024&#38;gt; 










Jury Award International (Honourable Mention)&#38;nbsp;GIRAF20, Canada 2024




2023&#38;gt; Jules Engels Student Scholarship 
2023
&#38;gt; Best Editing Award National Youth Film Award, Singapore 2023


2022


&#38;gt; The United Plankton Scholarship 
2022




2018&#38;gt; National Arts Council Scholarship Award 
2018 - 2023&#38;gt; Lillian Disney Scholarship 2018 - 2022


	Selected Curriculum Vitae


2025
&#38;gt; Filmmaker SiamAnima, as part of the Southeast Asian Competition from 10th to 14th September 2025 at Thai Film Archives.












&#38;gt; Animator Tune, an animated intro commissioned by Kaliens Collective for their investigative journalism video game. An installation version of the video game was exhibited in Seoul.





&#38;gt; Filmmaker Refuge Island, as part of the Singapore Shorts programme on 10th and 17th August 2025 at Asian Film Archives.


&#38;gt; Filmmaker Kopi O Kosong, as part of FreshTake! on 19th July 2025 at Objectifs Gallery.






2024

&#38;gt; Illustrator Mural Commission for Casual Poets Library Up from Dec 2024 to May 2026.




&#38;gt; FILMMAKER GIRAF20, screened at Indie Animation Mixtape: Side B on November 16 at the Globe Theatre in Alberta, Canada.

&#38;gt; MOTION GRAPHIC DESIGNER &#38;amp; ILLUSTRATOR&#38;nbsp;Allkins: All Walks of Life, produced a motion and illustration for Allkin’s annual report 2023 with direction and support from Currency Design Studio


&#38;gt; ANIMATOR &#38;amp; ILLUSTRATOR&#38;nbsp;On The Shoulders of Giants, produced style frames and animation for several episodes of the AsiaOne documentary series.
&#38;gt; FILMMAKER Fantasia Festival, screened at Animation Plus and Circo Animato 2024, from 18th July to 4th August 2024 in Montreal, Canada.


&#38;gt; FILMMAKER Stuttgart Trickfilm International Animated Film Festival 2024, screened at the Student Competition 4, from 24th to 27th April 2024 at Gloria 2 in Stuttgart, Germany.


&#38;gt; FILMMAKER Ho Chi Minh City International Film Festival, screened at the Short Film Competition, from 10th to 13th April 2024 at Lotte Gold View, Mega GS Cao Thang and Beta Cinema Quang Trung in Ho Chi Minh City, Vietnam.




2023&#38;gt; FILMMAKER Singapore International Film Festival, screened at Southeast Asian Short Film Competition Programme 3, on 9 December 2023 at Oldham Theatre, Singapore.





&#38;gt; FILMMAKER Taichung International Animation Festival, screened from 13 to 21 October 2023, at the Vieshow Cinema in Taroko Mall, Taichung.




&#38;gt; FILMMAKER Seoul Indie Ani-Fest, screened from 14 to 19 September at the 19th Seoul Indie-AniFest2023.




&#38;gt; MOTION GRAPHIC DESIGNER BandLab, produced a motion graphics advertisement promoting BandLab’s new fan out reach feature.


&#38;gt; FILMMAKER AFA x EYE: Experimental Shorts, screened at Asian Film Archives, Singapore on 30 June 2023.




&#38;gt; FILMMAKER East East 2023, screened at Tokyo Science Museum from 17 to 19 February 2023.


2022
&#38;gt; MOTION GRAPHIC DESIGNER BandLab, produced four motion graphics advertisements promoting BandLab’s new mixing and sampling features.




&#38;gt; FILMMAKER FUSE Festival 2022, screened as part of its Official Selection in Karlovac, Croatia in 3 to 5 June 2022.


&#38;gt; MOTION GRAPHIC DESIGNER This is Jazz, produced the title sequence and motion graphics for the web series commissions by The Esplanade — Theatres by the Bay and produced by MAKO Productions.


&#38;gt; FILMMAKER Athens Digital Arts Festival 2022, screened as part of specially curated programme themed around ‘FutuRetro’ in the last week of May 2022.


&#38;gt; FILMMAKER TOTAL ECLIPSE PLUMAGE, a karaoke art project produced with Nor and organised by monzoom.xyz. It was released online from 21 March 2022.


2021
&#38;gt; ARTIST An Uncanny Assortment of Miscellaneous Objects, an exhibition curated by Jaxton Su and Chen Nien-Ting presented at VTSalon, Taipei from 25 Dec 2021 to 12 Feb 2022 and from 4 to 26 June 2022 at Starch, Singapore.


&#38;gt; ANIMATOR Tiramisu at Baybeats 2021, produced visuals for Singapore band, Tiramisu’s 25th anniversary at Alternative Music Festival, Baybeats 2021 held at The Esplanade — Theatres by the Bay from 4 to 7 November 2021. 




&#38;gt; MOTION GRAPHIC DESIGNER I Kid You Not, produced the title sequence and motion graphics for a web series commissioned by The Esplanade — Theatres by the Bay and produced by AMOK Productions.


&#38;gt; FILMMAKER ABSTRACTS: Filmic Readings of Something New Must Turn Up exhibition, made in response to Chng Seok Tin: Drawn Through a Press (7 May - 22 August 2021), featured in the exhibition, Something New Must Turn Up: Six Singaporean Artists After 1965, at National Gallery Singapore.


&#38;gt; ANIMATOR HABIT©AT Installation, a collaboration with Atelier HOKO to produce an animated installation expanding on their 2014 publication, HABIT©AT. The installation will be presented at the Venice Design Biennale from 22 May to 21 November 2021.




&#38;gt; ARTIST We Read Too Much Into Things, an exhibition curated by Berny Tan and presented at 27-13 Theatreworks, Singapore from 21 January to 28 January 2021.


&#38;gt; ANIMATOR A Beginners Guide to Art Books, produced the title sequence for the seminar-based web series presented by Currency Design in conjunction with Singapore Art Book Fair. 




2020 
&#38;gt; FILMMAKER Fest Anča, screened in competition as part of Anča Award + Anča Student Award from 27 to 30 August 2020.




2019
&#38;gt; FILMMAKER Ottawa International Animation Festival 2019, screened as part of World Student Panorama in Ottawa, Canada from 27 to 29 September 2019.




&#38;gt; ARTIST Objects in the Mirror, an exhibition at Supernormal, Singapore from 12 September to 12 October 2019.




&#38;gt; ARTIST Browsing Copy, a publication of 8 limited edition artists books held from 8 to 9 June 2019 at 97 Loyang Drive, Singapore in collaboration with Currency Design.




&#38;gt; ARTIST Singapore Art Book Fair 2019 (SGABF) collateral design, designed a pamphlet in collaboration with SGABF and Currency Design.




&#38;gt; ARTIST Melting! Melting!, an exhibition held in a 40ft Freezer container at Gillman Barracks, Singapore from 15 March to 7 April 2019.




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		<title>Artworks Page</title>
				
		<link>https://ryanbenlee.com/Artworks-Page</link>

		<pubDate>Mon, 18 Sep 2023 11:37:38 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Artworks-Page</guid>

		<description>Animation, Books, Installation, Karaoke
&#60;img width="480" height="270" width_o="480" height_o="270" data-src="https://freight.cargo.site/t/original/i/1fd74d8543410e466942d5cf3c65c9e170e0dc3bf91f3868d1014704ab6034e7/The-Parade.gif" data-mid="191109267" border="0"  src="https://freight.cargo.site/w/480/i/1fd74d8543410e466942d5cf3c65c9e170e0dc3bf91f3868d1014704ab6034e7/The-Parade.gif" /&#62;
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		<title>Commercial page</title>
				
		<link>https://ryanbenlee.com/Commercial-page</link>

		<pubDate>Mon, 18 Sep 2023 10:06:08 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Commercial-page</guid>

		<description>Commissions, Motion Graphics, Advertisements, Illustration, Animated posters
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		<title>The Parade</title>
				
		<link>https://ryanbenlee.com/The-Parade</link>

		<pubDate>Thu, 14 Sep 2023 04:40:37 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/The-Parade</guid>

		<description>
	The Parade
	










In Singapore, politics is often described as a dance: one step forward and two steps back; a city where socio-economic change moves with incremental cautiousness. However, in this animated film, the quiet city-state transforms into a rowdy street parade synthesised by a manic flurry of pop culture, karaoke and colour.







Email me for password&#38;nbsp;
Siam Anima 2025
FRESHTAKE! 2024
GIRAF20 2024Fantasia Festival 2024
Stuttgart Trickfilm International Animated Film Festival 2024
Ho Chi Minh City International Film Festival 2024
Singapore International Film Festival 2023
Taichung International Animation Festival 2023
Seoul Indie Ani-Fest 2023
NYFA Best Editing (Open Category) 2023Jury Award International (Honourable Mention) GIRAF20 2024




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2023</description>
		
	</item>
		
		
	<item>
		<title>Perfect</title>
				
		<link>https://ryanbenlee.com/Perfect</link>

		<pubDate>Thu, 14 Sep 2023 04:40:37 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Perfect</guid>

		<description>
	Perfect
	










A young girl takes charge of her education. She transforms text into small plays and diagrams into dance. Amidst the stress of school work, she finds comfort in her own self-confidence and joy.




Password:&#38;nbsp;digestion


	&#60;img width="540" height="405" width_o="540" height_o="405" data-src="https://freight.cargo.site/t/original/i/ad7d0816ddb3e3f8340b21888c3ea45670847ff59a1f5960c362fb3c13fa5c7d/Perfect_clip1.gif" data-mid="190871686" border="0"  src="https://freight.cargo.site/w/540/i/ad7d0816ddb3e3f8340b21888c3ea45670847ff59a1f5960c362fb3c13fa5c7d/Perfect_clip1.gif" /&#62;&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d8fdacfe9386db8e7f5c4a9a34faa8e02a03c1fdc8c002e0da08c134ea2803b9/Perfect-STILL-1.jpg" data-mid="190851236" border="0"  src="https://freight.cargo.site/w/1000/i/d8fdacfe9386db8e7f5c4a9a34faa8e02a03c1fdc8c002e0da08c134ea2803b9/Perfect-STILL-1.jpg" /&#62;&#60;img width="771" height="1100" width_o="771" height_o="1100" data-src="https://freight.cargo.site/t/original/i/cccc1247759d80df8b5f203cfe6f47ff9d2174358f9d48209e2e87ff72728129/test-papers.gif" data-mid="190851225" border="0"  src="https://freight.cargo.site/w/771/i/cccc1247759d80df8b5f203cfe6f47ff9d2174358f9d48209e2e87ff72728129/test-papers.gif" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/bbfd69635d3e6d2ad079a30b41ee509049c284ab887542535d24837f6fa03fc9/IMG_2603.JPG" data-mid="190851321" border="0"  src="https://freight.cargo.site/w/1000/i/bbfd69635d3e6d2ad079a30b41ee509049c284ab887542535d24837f6fa03fc9/IMG_2603.JPG" /&#62;
    &#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/179b51c17884d7c0908760a893b77a60725071b3c7ccbb16baea3866cd8a9212/IMG_2993.JPG" data-mid="190851323" border="0"  src="https://freight.cargo.site/w/1000/i/179b51c17884d7c0908760a893b77a60725071b3c7ccbb16baea3866cd8a9212/IMG_2993.JPG" /&#62;&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9663f9b97159e60accc587cddf94670e5b089a77ada956ea0be0554eee533436/Perfect-STILL-4.jpg" data-mid="190851239" border="0"  src="https://freight.cargo.site/w/1000/i/9663f9b97159e60accc587cddf94670e5b089a77ada956ea0be0554eee533436/Perfect-STILL-4.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1a520aa43755c1278aa05afda26f35fdfd043ed49b14378948a10096f3d7ff74/IMG_2972.jpg" data-mid="190851322" border="0"  src="https://freight.cargo.site/w/1000/i/1a520aa43755c1278aa05afda26f35fdfd043ed49b14378948a10096f3d7ff74/IMG_2972.jpg" /&#62;&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/229eeaef5b2d796ec08ebf2d7f475aff39dbcb0f254bd44ce1f07fd8cc88fd38/Perfect-STILL-3.jpg" data-mid="190851238" border="0"  src="https://freight.cargo.site/w/1000/i/229eeaef5b2d796ec08ebf2d7f475aff39dbcb0f254bd44ce1f07fd8cc88fd38/Perfect-STILL-3.jpg" /&#62;
    2021</description>
		
	</item>
		
		
	<item>
		<title>Scream</title>
				
		<link>https://ryanbenlee.com/Scream</link>

		<pubDate>Thu, 14 Sep 2023 04:40:37 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Scream</guid>

		<description>
	Scream
	In this short film, colourful characters vibrate with nervous enthusiasm. I read somewhere once that it is much easier to transform anxiety into excitement rather than a state of calm. The jittery inability to hold still gradually becomes an exhilarating statement of self-empowerment.




Password: AAHHHHH
Trigger Warning: Intense Strobing. Not suitable for people with epilepsy.



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	&#60;img width="1920" height="1132" width_o="1920" height_o="1132" data-src="https://freight.cargo.site/t/original/i/b415adb5d459ce16843a031394159f284e1697283e5dbf8395a5f99a5b6bafc2/ScreamBTS2.gif" data-mid="190850757" border="0"  src="https://freight.cargo.site/w/1000/i/b415adb5d459ce16843a031394159f284e1697283e5dbf8395a5f99a5b6bafc2/ScreamBTS2.gif" /&#62;&#60;img width="2376" height="2260" width_o="2376" height_o="2260" data-src="https://freight.cargo.site/t/original/i/0e36b5fc51906cf06771ea290ab69b3f412e26fb0d673e719cdb4abb1f70af5d/Screenshot-2023-09-15-at-5.55.22-PM.png" data-mid="190850211" border="0"  src="https://freight.cargo.site/w/1000/i/0e36b5fc51906cf06771ea290ab69b3f412e26fb0d673e719cdb4abb1f70af5d/Screenshot-2023-09-15-at-5.55.22-PM.png" /&#62;
2020</description>
		
	</item>
		
		
	<item>
		<title>Break</title>
				
		<link>https://ryanbenlee.com/Break</link>

		<pubDate>Thu, 14 Sep 2023 04:40:38 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Break</guid>

		<description>
	Break
	










A ‘break’ can be a moment of rest, a violent act or a deviation from routine. This film attempts to encapsulate the sights, sounds and smells of the local Kopitiam in Singapore. Its a space for togetherness, conversation or maybe just lunch. Images of consumption and decay flicker against arrhythmic, chattering texture.







Password: cup


Exhibition documentation by Marvin Tang.



	&#60;img width="533" height="300" width_o="533" height_o="300" data-src="https://freight.cargo.site/t/original/i/adf03501240b222368bb87278a83d1a62e2e086b727c74adf8e7db3efe9b4c88/Break.gif" data-mid="190855920" border="0"  src="https://freight.cargo.site/w/533/i/adf03501240b222368bb87278a83d1a62e2e086b727c74adf8e7db3efe9b4c88/Break.gif" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/b6b1e6fdf9102ebc167a393864f0e50271c0b593b898e666aacc02735a71bc6d/20210122_MaybeWeReadTooMuchIntoThings_053.JPG" data-mid="190853305" border="0"  src="https://freight.cargo.site/w/1000/i/b6b1e6fdf9102ebc167a393864f0e50271c0b593b898e666aacc02735a71bc6d/20210122_MaybeWeReadTooMuchIntoThings_053.JPG" /&#62;&#60;img width="450" height="450" width_o="450" height_o="450" data-src="https://freight.cargo.site/t/original/i/249232daa1136d01f2d386968f7bd5e14a5f7a787a3fdffb2544cbde2b7ab6c1/ashtray1.gif" data-mid="190854099" border="0"  src="https://freight.cargo.site/w/450/i/249232daa1136d01f2d386968f7bd5e14a5f7a787a3fdffb2544cbde2b7ab6c1/ashtray1.gif" /&#62;&#60;img width="5659" height="3773" width_o="5659" height_o="3773" data-src="https://freight.cargo.site/t/original/i/65ae3433c362188f852877e4e280ef84f884c0517782a25f07fef7200ffda272/20210122_MaybeWeReadTooMuchIntoThings_081.JPG" data-mid="190853308" border="0"  src="https://freight.cargo.site/w/1000/i/65ae3433c362188f852877e4e280ef84f884c0517782a25f07fef7200ffda272/20210122_MaybeWeReadTooMuchIntoThings_081.JPG" /&#62;&#60;img width="2338" height="1653" width_o="2338" height_o="1653" data-src="https://freight.cargo.site/t/original/i/8705dc0aa5c9b45d2df662b13813120f76d4f258169b518077b141d4525f1165/IMG_20200427_0006.png" data-mid="190853925" border="0"  src="https://freight.cargo.site/w/1000/i/8705dc0aa5c9b45d2df662b13813120f76d4f258169b518077b141d4525f1165/IMG_20200427_0006.png" /&#62;&#60;img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/0ce470888a034a769d71788574dfa0c019fa6fa77a9d6ae423fd13c4e4e913ec/bananaleafday1_11.png" data-mid="190853696" border="0"  src="https://freight.cargo.site/w/1000/i/0ce470888a034a769d71788574dfa0c019fa6fa77a9d6ae423fd13c4e4e913ec/bananaleafday1_11.png" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/08436d8e2da73bf8be397c2bdf5421372b5122be50be666d54560f758789ae0c/20210129_MaybeWeReadTooMuchIntoThings_161.JPG" data-mid="190853312" border="0"  src="https://freight.cargo.site/w/1000/i/08436d8e2da73bf8be397c2bdf5421372b5122be50be666d54560f758789ae0c/20210129_MaybeWeReadTooMuchIntoThings_161.JPG" /&#62;
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2021</description>
		
	</item>
		
		
	<item>
		<title>Axis</title>
				
		<link>https://ryanbenlee.com/Axis</link>

		<pubDate>Thu, 14 Sep 2023 04:40:38 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Axis</guid>

		<description>
	Axis
	










In Axis, a labyrinth constructed from images of grids,
ladders and glass ceilings collides and coalesces into
an impossible space. This film is a rumination on mall
culture in Singapore, with the homogeneity and
verticality of these centres of consumerism mirroring
contemporary power structures and the desire for
upward mobility. This animated short is inspired by
works in the exhibition Chng Seok Tin: Drawn
Through A Press such as Gold Rush (1993), Social
Climbers (1992) and Game of Chess (1999–2001).
- Painting with Light 2021, Media Release
Commissioned by National Gallery Singapore in response to the exhibition, Something New Must Turn Up: Six Singaporean Artists After 1965.
Special Thanks to Cheng Jia Yun, Natalie Khoo and Pauline Soh.



Password: ladders



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	&#60;img width="1653" height="2338" width_o="1653" height_o="2338" data-src="https://freight.cargo.site/t/original/i/711ab52014e4be0d82f1fa133e212b7c24b0c7754113435115b7b431856b77eb/IMG_20210519_0004.png" data-mid="190867543" border="0"  src="https://freight.cargo.site/w/1000/i/711ab52014e4be0d82f1fa133e212b7c24b0c7754113435115b7b431856b77eb/IMG_20210519_0004.png" /&#62;&#60;img width="694" height="521" width_o="694" height_o="521" data-src="https://freight.cargo.site/t/original/i/54edf3449161116f1cd9a13afb0d3e488d198a41c5b0f2174517670fe670c73b/Axis_clip1.gif" data-mid="190868743" border="0"  src="https://freight.cargo.site/w/694/i/54edf3449161116f1cd9a13afb0d3e488d198a41c5b0f2174517670fe670c73b/Axis_clip1.gif" /&#62;&#60;img width="2338" height="1653" width_o="2338" height_o="1653" data-src="https://freight.cargo.site/t/original/i/e6347a1a606baba6670879d53be87810ab0592796143fd8159d6e8e3d11b50d8/mannequin.png" data-mid="190866957" border="0"  src="https://freight.cargo.site/w/1000/i/e6347a1a606baba6670879d53be87810ab0592796143fd8159d6e8e3d11b50d8/mannequin.png" /&#62;&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/dd49578517d6d4733c3473dcc2b8352e583d76e65991c30d608bb238e633aa5f/IMG_1822.JPG" data-mid="190866991" border="0"  src="https://freight.cargo.site/w/1000/i/dd49578517d6d4733c3473dcc2b8352e583d76e65991c30d608bb238e633aa5f/IMG_1822.JPG" /&#62;


2021</description>
		
	</item>
		
		
	<item>
		<title>Objects in the Mirror</title>
				
		<link>https://ryanbenlee.com/Objects-in-the-Mirror</link>

		<pubDate>Thu, 14 Sep 2023 04:40:39 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Objects-in-the-Mirror</guid>

		<description>
	Objects in the Mirror
	










Objects in the Mirror brings together selected works of artists Desiree Tham, Ryan Benjamin Lee, and Yeyoon Avis Ann, to unfold their use of perception-shifting strategies to reveal magical relationships between the material world and the mind.

The fundamental desire to enchant underlies both art and magic, which equally harness illusion, perception and the fabrication of alternative versions of reality to return captivated audiences to a sense of naivety and awe. The exhibition raises possibilities of the magical in wilfully surrendering to an incomplete, and even non-rational understanding of the world; both as a comforting illusion in an incomprehensible world, and as an active belief in the impossible, against the banality of the everyday.

Playing on the safety warning ‘objects in the mirror are closer than they appear’, it draws attention to the phenomenological experience of seeing, encountering, and believing.
- Curator, Seet Yun Teng

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f864ed1437fbf27f0ead2679da9cd3ca368f7e0c65ac814326b33ef2c2d24028/ObjectsInthemirror_5.jpg" data-mid="190869530" border="0"  src="https://freight.cargo.site/w/1000/i/f864ed1437fbf27f0ead2679da9cd3ca368f7e0c65ac814326b33ef2c2d24028/ObjectsInthemirror_5.jpg" /&#62;



Password: coin




Password: balloon
Exhibition documentation by Seet Yun Teng


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2019</description>
		
	</item>
		
		
	<item>
		<title>Untitled (Book)</title>
				
		<link>https://ryanbenlee.com/Untitled-Book</link>

		<pubDate>Thu, 14 Sep 2023 04:40:38 +0000</pubDate>

		<dc:creator>ryan benjamin lee</dc:creator>

		<guid isPermaLink="true">https://ryanbenlee.com/Untitled-Book</guid>

		<description>
	Untitled (Book)
	An accordian book commissioned by Selene Yap and Cheng Jia Yun. Designed in collaboration with Currency Design. Printing by KHL Printing
Editions of 10




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2019</description>
		
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